Keepin' on Keepin' on

WHAT I DID: So I read this book I got on alternative photo processes and honestly it made me sad. I mean that is semi-irrelevant to my project, but it did. Nothing in it was particularly useful to my project at hand because when I checked it out from the library I didnt realize that every process in there is chemical/darkroom. It's straight up history of photographic processes stuff which means I was hooked and couldn't stop reading because I would love to spend my life learning and executing every single one of those dead art forms- I told you it was sad! The most it got into as far as digital use was how to make digital negatives. It had nothing about any type of transferring either. Total fail as far as book-picking but at least the other book is specifically about polaroid transferring.

My mom actually found a polaroid camera she forgot she had in her classroom. I'm going to snag that and see if it will work or not for my project. I still haven't received a reply from Lisa so I emailed her again in case it got lost or she forgot about it. I also went and talked to Sepideh about the photo transfer techniques she's using which is apparently similar to what Shay has tried (why has everyone already discovered this except me?) so she is a good resource for me also. I went and got some papers and fabrics and intend to have a variety of trial transfers for the crit on tuesday. I also got different bulbs for my lamp so that will be shown as well.

Can I just say that bringing in writing help was the best thing ever for me. I really had so much trouble writing the thesis and I expected her to just say she had no idea what I was talking about and leave me more lost and confused. Not true. Giving us a list of words to circle and phrases to watch for was exactly what I needed and makes fixing my writing seem like it's not this huge overwhelming task. In the meeting she gave me such great ideas as far as how to go about writing that will make the second time around so much easier. Whoever's idea that was- thank you.

WHAT I DISCOVERED: There's always someone who has done this (this being whatever it is that youre doing at the time) before. Which is great because you're not alone, you can learn faster etc. but it also makes me feel behind- like I must live under a rock or something. Oh well- I'll get over it. I'm happy to be considering other transfer options and now i'm thinking of simple things like printing on vellum. I know that sounds dumb that it never occurred to me before- but its occurred to me now so lets move forward. I believe the lamp I just made is a possible fire hazard since it gets so unbelievably hot but I feel clueless when it comes to safer, cooler colored lights. I know LEDs are cooler but I know nothing about them and always have thought of them as being too small for my work. Looking into new light sources might be important for my future work.

WHAT'S NEXT: Keep on reading. Keep on watching videos. Keep on talking to people. Keep on trying things out. Keep on learning. word.

WHAT I DID: I spent 20 hours finishing this lamp



Erica and I talked about how it has kind of a horror movie feel which is totally up my alley but not what my intentions were. We talked about how changing the colors of some of the bulbs might give it a more peaceful less creepy look. I might do this but i am going to wait until the feeling in my fingers comes back from

I received my polaroid film in the mail but still do not have a camera. I emailed joe to see if the school has any laying around and they don't. I checked kwanis and they didn't have any either. I read a forum online saying that for this film its recommended to get a polaroid 600 se which i looked for online and they go for like $600 on ebay. I emailed on thursday asking her questions about the process, camera, and books but haven't gotten a reply yet. Erica let me know that's there's another ip student who is also doing emulsion transfers and I intend on dropping in on her in her studio in the next couple days to talk to her and possibly have her show me the process in action. I got a few books from the library about photo transfering and alternative processes so while I'm talking to people and looking for a camera i have plenty to read and learn about this field.

WHAT I DISCOVERED: I know nothing about this and i have a lot to learn. i feel that even if my process is slow because i'm learning, it is important and exciting for me to experience and discover this.

WHAT'S NEXT: Learning as much as i can about this process from as many resources as possible: books, internet, people. Then trying it out because i know the first few times will most likely be failures. this is part of learning something new.

i think this is what i've been looking for

WHAT I DID: This week I started off being really confused from the december review. It's one thing to receive comments, but it's a completely different thing to decide which feedback is important to you and should be applied to your work. I found thinking about this to be a daunting task though very important. I hate the feeling of knowing there needs to be a change but not knowing what that change actually is. It was time to forget about the whole tattoo thing and move on so that I can stay productive and come back to it later. I didn't know exactly what I wanted to use as far as materials for my next topic but I'm sure about the topic- so at least I have one variable figured out! I know I want to convey an experience and feelings about that experience so that my audience gets at least a vague idea of why the experience has affected me. Hannah and I talked about keywords and tried to figure out the right language to focus on for this topic. I played with paper and shapes and i don't have a clear answer yet but i have to say that i enjoyed the process. i agree that adding a third dimension defintely adds something to the experience of my art but i have no experience with this! I've been looking at artists that make sculptures with fabric and it looks so simple and beautiful but i am so impressed by it. I also began looking at polaroid emulsion transfer work and other similar processes. this process brings something to the art that i can't explain- it just feels more personal and intimate to me than pulling a photograph out of the printer and pinning it to the wall. i think i'm in love with it. seriously. I do not have a polaroid camera but i did order polaroid 669 film which should arrive next week.

here are some images i liked:





jane linders


kathleen carr


michal macku


heather oeklaus


teresita fernandez


john toth


cynthia treen


esther solondz


WHAT I DISCOVERED: That i can't wait to try emulsion transfers- i am so excited!!! i think i would like to definitely experiment with putting transfers on wood, metal, plastic and glass with some of them involving light sources and some of them not. I feel that making an installation or an object that is 360 degrees isn't really my thing but to have an object that has thickness, that you can touch, that has holes or wrinkled fabric or some kind of texture is so attractive to me. we have entered a new realm people. my fear though is that since this is such a new process for me that i won't have time to make good work by april. i wish i would've gone in this direction last term.

WHAT'S NEXT: Printing on fabric and playing with it is an important step while i wait for my polaroid film to arrive. maybe i should gather materials i'm interested in transfering images onto?